22 Surprisingly Underrated Sequels That You Need To Watch Right Now

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The first Crank may have ended with antihero Chev Chelios (Jason Statham) falling to his death from a helicopter, but that couldn't stop Crank 2: High Voltage from being an even more ridiculous, absurd and fun exercise in questionable taste.

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After the disappointment that was Big Top Pee Wee, Pee Wee's Big Holiday was a satisfying return to form for the beloved character, who encountered bank robbers, giant snakes, and a gun-toting farmer as he hit the road once again.

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Though the Pirates of the Caribbean franchise basically bungled its overblown and convoluted third entry, On Stranger Tides ultimately decided to expand upon its mythology with fresh blood, unique set pieces and, ultimately, more ambitious and satisfying results.

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Though David Gordon Green's Halloween movies have made a killing at the box office, Halloween H20: 20 Years Later told the "survivor" story of Laurie Strode with a more compassionate and grounded lens, depicting the struggles of maintaining a "normal" life with post-traumatic stress disorder while miraculously juggling the ingredients for an intense and creepy modern slasher, the legacy of which was largely undone by its terrible sequel.

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With The Fugitive thrilling audiences as an unexpected hit in 1993, no one could have predicted Warner Bros. expanding upon Tommy Lee Jones' Oscar-winning supporting role in another story. Nevertheless, U.S. Marshals is a surprisingly engaging action flick with a number of genuinely exciting set pieces throughout.

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Though Wishmaster 2 does not have the budget, star power, or the special effects of its predecessor, it is nonetheless a fun and occasionally funny follow-up anchored in camp and bloody mayhem.

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Olympus Has Fallen showed much promise as a violent, hard-hitting throwback to old school action cinema, but London Has Fallen shook up the formula with bad one-liners, over-the-top action, and a finger-twiddling villain to produce something closer to the pun-laden shoot-'em-ups of the '80s and '90s.

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Waxwork II: Lost in Time takes the ingenious horror-comedy anthology concept of the first film to ridiculous new heights while deftly sending up such iconic genre titles as Alien, The Haunting, and Nosferatu.

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Goon may have won the hearts of comedy fans after its massive popularity on Netflix, but its sequel is among the rare comedies to rise to the occasion of its previous installment with its exceptional heart, humor, and fight sequences.

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Sam Neill proved that he was a young actor worth his weight in gold in The Omen III, which allowed him to bring the iconic character of Damien to adulthood with a sinister yet somehow sympathetic twist.

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Bad Lieutenant is among Abel Ferrara's best work, but is ultimately hampered by its own legacy as an NC-17 shocker for art-house audiences. However, Werner Herzog shoots for the moon with the spiritual sequel, which exhibits one of the most truly jaw-dropping (and admittedly mesmerizing) Nicolas Cage performances of all time.

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The belated sequel to National Lampoon's Christmas Vacation, Vegas Vacation is funnier than it had any right to be while showing that the franchise still had gas in the tank four films deep. 

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A testament to the strength of Steven Spielberg as a filmmaker, The Lost World: Jurassic Park is an exciting and visually impressive sequel that is unjustly maligned in comparison to the near-perfection of its predecessor.

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Wayne's World may have laid the groundwork and expanded upon the universe of this Saturday Night Live fan favorite, but Wayne's World 2 hits the ground running, ramping up the out-of-this-world absurdity and offering some genuinely gut-busting irreverence from top to bottom.

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Fright Night remains a revered cult classic to this day, but sadly, rights issues have severely limited the reach of Fright Night Part 2 to modern audiences, which is a shame given how the film is as nearly equally as funny, frightening, and imaginative.

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Iron Man 2 is not a perfect sequel, but it's far more entertaining than it's often given credit for, especially when watched in an MCU binge where it operates even better within the context of Marvel's grand timeline.

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While the first three (or four, depending on who you ask) Saw movies all have their own merits and creative successes, Saw VI truly stands out as the unexpected gem of the series, with a clever script, incredible traps, and a biting message on the American healthcare system that seems more relevant with each passing year.

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With no less than three Academy Award winners (and one nominee) featured in this film, Nimrod Antal's Predators is a damn fine addition to the franchise's pantheon of exhilarating and ultraviolent creature features.

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Genuinely bizarre and often terrifying, Return to Oz is a bold, dark movie that deserves a shout-out for trading the easy decision of aping The Wizard of Oz for operating as nightmare fuel and establishing itself as a kindertrauma classic.

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Though the film receives much flack for its somewhat ill-advised ending, The Cloverfield Paradox is a weird and intense film with a cast that goes above and beyond its Twilight Zone-esque script.

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While some of the dialogue has not aged well (or unabashedly veers into problematic territory), there's no denying that Clerks II delivers some huge laughs throughout and remains one of Kevin Smith's most heartfelt movies.

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An early film from Doctor Strange and Sinister filmmaker Scott Derrickson, Hellraiser: Inferno is a shockingly smart, eerie and surreal film in its own right, bolstered by some strong performances and the opportunity to flip the script on the Hellraiser franchise. 

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